Back to Podunk

Reflecting view of old Finnish Sauna from inside of new Finnish sauna.

If you look “Podunk” up in the dictionary, it will tell you that it is a hypothetical or insignificant town. The folks who live there think otherwise. Podunk is actually a place name on the map a short ski south of Trumansburg, New York, where I grew up. Despite having only a smattering of residents, they will all tell you that is very real and very significant. 

In the 1960’s Ozzie Heila settled there with this family on an old farmstead established by an even older Finn who first built his sauna (above) before the house in the 1930’s. It is also where I learned of all the important things in life. In the 1970’s I spent countless winter hours there at the ski center that Ozzie established, becoming a become a damn good Nordic skier and developing a life-long passion for the sport.

In the summers I explored the creek with his son, my good friend Daniel, and learned the value of immersing one’s self in nature. Daniel’s mother, Ethel, was my art teacher in middle school; she helped me become the artist I am today and we still have wonderful conversations about color theory and art composition. And at the heart of the complex of dated farm buildings was the sauna; there I learned to channel my need to experience extremes into something healthy and life affirming. We loved going from the hot to the cold.

Jumping in the creek in the dead of winter after a searing round in the sauna, we felt more alive than ever. That feeling has never died; each cold plunge I take during sauna takes me back to that creek.

Today, Daniel and his family were back in the area and we went to Podunk to visit the old homestead once again. This time we took our Finnish Blue mobile sauna and parked it next to the ramshackle old sauna, which is now defunct and awaiting a rebirth. Many things have changed  but some things are the same. The trees have grown huge or even died, the old purple Lilac, with the rusty sauna bell hanging from its branches, is gone and the brush has been cleared away from the old sauna, revealing the sagging bones of the century-old  structure. But the building itself is as recognizable as the last day I took a sauna there about 25 years ago. The inside is a sadder story—it turns out that squirrels like the sauna too and they have made it theirs. As if in a expression of  horror at the mess, the Lämpimämpi stove I welded up for Ozzie in the 90’s sits with it’s mouth rusted wide open. 

The path through the field to the creek is the same but with a detour to the left towards a new dipping hole: a bathtub in the midst of the rushing current with a strategically placed rock to help keep your butt moored. The run down to the creek had the same awkwardness … trying to run all out before you cooled off but trying to maintain stable footing the same. And the sensation! The whoops and hollers of 12-year-old boys came out of us as we braved the icy April stream.

Real or not, Podunk is the same as it will always be. What are memories but unreal fragments in our minds, ready to be stirred up by whirling waters of a cold stream, or by the hot steam of a sauna? The old next to the new will always appear old, until we make it new again and live our lives in the now, to the fullest, with no regrets, and dreams, not of memories, but of tomorrows.

new Finnish sauna parked next to an old Finnish sauna by the creek
New sauna and parked it next to the old sauna near the creek.
Nearly Perfect

Nearly Perfect

Sauna is all about perfection. Not over-the-top polished perfection, but a perfect way of being: simple, pure, functional; perfect living. Harmonious. After all, you enter the sauna naked, our perfectly imperfect bodies exposed but hidden in the dim light. You sweat out the toxins of life and leave with a clean aura. Like the Japanese concept of Wabi-Sabi, the sauna encourages acceptance of the imperfect as natural and beautiful.

When I work on my saunas I am constantly aware of this. Too much perfection will ruin the relaxed atmosphere; too many crisp details will hold tension in the materials. I relax when I work, become one with my materials and try to imbue the building with a human inexactness.

It’s all made by hand or by nature: the pulls on the doors (hickory branches), the handle on the stove (me, wrapping stainless rod—like wrestling a snake); the benches (massaged with sand paper) and the funny round window (imperfectly round like the eye of a whale). The stone facing on the wall around the stove was pulled from a hundred-and-fifty year old barn foundation and carefully split with whacks from the hammer my great grandfather used to carve head-stones. The dressing room floor: reclaimed fir, every bit as tough as the day the trees were felled. I use some new materials but never looking like I just pulled them off the shelf in some big box store.

I’ve touched it all many times—each board, each stone, each piece of metal. I carry slivers of each project in my hands for weeks—a constant reminder of the work I do. I think of our physical world built by hands. Every brick in every building handled, touched and in the memory of some callus; everything we think of as solid and real created by someone’s toil. Even the rocks that mark the hedgerow at the back of the sauna were placed by hand almost two centuries ago; the sweat of that farmer’s labor infused with this thick clay soil.

This last project was nearly perfect—which is as close to perfect as I want it to be. Great client, perfect site, easy access, and nice new pond with a beautiful dock and deck. Ok, I did order the wrong color roof but the multiple drives back and forth to Mid Lakes Metal, down the spine of the ridge between the lakes was perfect. With my windows wide open, I could taste the salt of the earth and was reminded of why I call this place home.