The Last Word on Foil.

Lately, I have been thinking about the application of the foil I use in my saunas as a radiant vapor barrier. Perhaps this is because it is almost Christmas, and I was thinking of how my family decorated the tree each year. The final touch would be to drape foil tinsel over everything; our mother would have to constantly damp down our enthusiasm by reminding us to place it carefully on each branch, not to throw it. 

NOT sauna foil. This suspicious "sauna" foil is Aluminum-coated Plastic—upper working temperature of only 55-120° C. Similar to ubiquitous foil "bubblewrap".
This suspicious sauna foil is aluminum-coated plastic—upper working temperature of only 131-248° F (55-120° C).
This product compares to the ubiquitous foil “bubblewrap” people and is not to be used inside your sauna walls.

There are tricks to using radiant vapor barrier foil, but the first and most important step is to buy the right stuff. Like the tinsel we put on the tree, the foil may actually be aluminum-coated plastic—which you don’t want to use. That plastic is likely polyethylene, which, if you look it up on the material specification sheet that every product has, has an upper working temperature of 131-248° F (55-120° C), meaning it will likely melt at typical sauna temps. Sauna Foil, available from any of the familiar sauna suppliers, is aluminum foil on a kraft paper backing. I used to find it with fiberglass reinforcing thread, which is helpful because the stuff tears easily. Four foot rolls, rather than three foot are helpful so you can do a wall in two passes, but I have trouble finding that width.

I recently tried a new supplier selling four foot rolls of sauna foil, but upon opening, it had a suspicious plastic look to it. That night, I put it in the sauna and within seconds it began to distort and curl up like the polyethylene I suspected it was made of. (see illustration above)

The second trick is to design the wall correctly. I read and see a lot of misinformation that touts using no air gap with foil. This is wrong. The air gap is essential. The foil works by reflecting radiant heat. All black bodies1 give off and absorb radiant heat that travels in a straight line from one hotter object to another cooler one; the hotter the body, the more heat it emits. The sauna rocks radiate a soft heat to you, the walls, and the benches, and that is why you want the sauna to be laid out so that everyone has a view of the rocks. The fire, if seen through a clear glass door, also radiates heat but at a higher intensity—too high for a comfortable sauna (but great for ambiance). With an air gap of at least a half inch, when the heat hits foil, it is reflected back into the room or the backside of the cedar. Because the foil is also a perfect conductor, if it touches the back side of the cedar (as will happen with no air gap), it pulls heat away from the cedar and transfers it to the wall space behind the foil air gap.

Proper sauna insulating with an air gap on backside of cedar.
Air gap. A sauna building best practice.

I’ve understood this thermodynamic principle for a long time. I took a class called Solar Design and the Energy Efficient Home in my first semester of college. We learned all about insulation, heat transfer, and basic building skills. The first day of lab, wherein we built a timber frame house, I was handed a Makita 12” circular saw. My building career started right then and there.

With the web of misinformation out there, I had to think of a way to illustrate this basic principle of thermodynamics. So, one slow day in the shop, I rigged up an experiment and photographed it (see illustration below). I set up a section of cedar wall about 18″ from my infrared shop heater and fastened two pieces of foil to the back, one with a 3/4″ air gap, and one with no gap. After an hour the cedar was 250° F on the front—like it often is in my sauna. The back of the cedar was 121° F, which is impressive by itself. The back of the foil with no gap was 115° F, meaning it was acting as a perfect conductor, and the back of the foil with an air gap was 71° F: room temp. The air gap was clearly making a difference, 45° in this case. 

Sauna thermodynamics by sauna builder Rob Licht Custom Saunas
The thermodynamic experiment begins.

The foil is a perfect vapor barrier, rated at zero perms—meaning no vapor moves through it. But unless you layer it properly, with insulation behind it, the moisture will condense on it or the first cold surface it hits. Even in a perfect build, there might be cold spots in the insulation (typically about the size of a mouse hole), so there likely will be some condensation, but this is not a problem if there is air movement. The air gap behind the cedar allows air to circulate around the cedar, removing any moisture, and ensuring that the wood heats and dries evenly and remains stable. Heating one side of a board and wetting or cooling the other is how you make curved boat staves.

There are other tricks to using the foil: unrolling it and rerolling it foil-in, using temporary magnets when working a commercial job with metal studs. But the key is to use care. Use plenty of hi-temp foil tape and patch tears as you go and work with a partner if possible.

I suppose you could build a sauna by putting a heater in a refrigerator box, but that would last about a day and be incredibly wasteful. Cedar touching foil won’t ruin your sauna and neither will plastic melting in the walls where you don’t see it. But if you are going to take the time and bear the expense of building a sauna, you might as well do it and so it will last generations. I guess my mother was right: applying foil carefully and not just throwing it up is the way to work.


NOTES:

  1. “A blackbody or black body allows all incident radiation to pass into it (no reflected energy) and internally absorbs all the incident radiation (no energy transmitted through the body).” Siegel, Robert; Howell, John R. (2002). Thermal Radiation Heat Transfer; Volume 1 (4th ed.). Taylor & Francis. p. 7. ISBN 978-1-56032-839-1. For more information: https://en.wikipedia.org/wiki/Black_body ↩︎
Kilns and Saunas

Kilns and Saunas

You’ve probably heard that I’ve spent a lot of time in and around the saunas. But another hot spot I’ve spent a lot of time around is kilns. Specifically, foundry kilns and ceramic kilns. Unsurprisingly, there is a strong relationship between the two, as they both involve getting things hot. In the lost wax casting process, investment or ceramic shell molds are heated to roughly 1500° F. The extreme heat burns off the wax original, and thus, the lost wax of lost wax casting. This can take hours or even days depending on the mold type and size. A ceramic kiln can get much hotter, up to 3000° F. That is hot enough to melt steel and many other metals.

Rob at a bronze pour.

I learned how to do bronze casting in art school. It is an ancient process, and my classmates and I did it pretty much the same way that it was done thousands of years ago. We learned to determine how hot things were by using our senses. All objects emit radiation when heated but at about 1100-1300° radiation becomes visible. Peering into a hot kiln (safety glasses strongly suggested) is like looking at another world, perhaps on some gaseous alien planet.
The blast of heat through the spy-hole is like a ray gun. Solid objects become transparent. Heat and light become one; the heated molds don’t reflect light but emit light. We rarely used pyrometers (hi-temp thermometers), and when we did, it was only to affirm what our senses were telling us. We recorded the smells of things burning off. When the smells were gone, the molds were clean and ready to accept the molten bronze.

When a kiln is loaded, there is always discussion about the hot spots—certain delicate molds need to avoid the highest heat while larger molds might need it more. There is always conjecture about how the heat circulates; a whole aspect of kiln building is dedicated to controlling the flow of heat within the kiln. Some of this conjecture is borne out in the results of a firing—whether things fire correctly or not. Ceramicists use cones: small tapering forms that bend at specific temperatures. After a firing, these devices will give a true telling of how the firing went. But despite the science, there is still a lot of mystery and art to the process, so much so that a firing of a large kiln can take on a ritualistic feeling. Staying up late to tend the kiln (as is done with wood fired and other non automated kilns), drinking beer, and heating up pizza on its surface add to the aura.

Thinking of all of this casting lore makes me think of sauna. Both processes have been done pretty much the same way for millennia, involving community and an aura of ritual. Both focus on fire and heat, and even as well studied and commonly practiced as they both are, there is still a bit of mystery involved in each process.

A kiln is like a sauna on steroids. The heat is so amplified that its flow and effects are unmistakable. Observing a kiln is a lesson in thermodynamics. In the sauna building culture, there is a lot of banter about how to best heat, insulate, and vent a sauna. Yet, all of it is conjecture, based on theory, until one sits in a sauna and feels the heat radiating off the rocks and the wave of löyly hitting the sensitive tips of your ears.

When I design a sauna, I draw from my years of kiln experience. I think of the heat as a visceral substance, almost visible, as in a kiln. I relish using my senses to discern quality rather than depending on technology. Even if the sauna is electric with a digital control panel, I rely on feeling, not the number on the display. I imagine the flow of heat like the way it flows in a kiln. My foundry experience has informed my understanding of sauna in ways that are hard to describe, but suffice it to say that I have always been drawn to fire and to the mysteries that it holds.